Industries - Public service
broadcasting
The British television industry is
largely driven by public service broadcasting - the traditional TV channels
that still account for the majority of TV viewing in this country.
These channels are regulated by Ofcom and have to deliver a certain amount of specific content in order to fulfil the terms of their license.
public service broadcasting: notes
Public service broadcasting refers to broadcasting intended for public benefit rather than to serve commercial interests.
The media regulator Ofcom requires certain TV and radio broadcasters to fulfil certain requirements as part of their license to broadcast.
All of the BBC's television and radio stations have a public service remit.
These channels are regulated by Ofcom and have to deliver a certain amount of specific content in order to fulfil the terms of their license.
public service broadcasting: notes
Public service broadcasting refers to broadcasting intended for public benefit rather than to serve commercial interests.
The media regulator Ofcom requires certain TV and radio broadcasters to fulfil certain requirements as part of their license to broadcast.
All of the BBC's television and radio stations have a public service remit.
The history of the BBC
The BBC was created in 1922 in response to new technology – the radio (or wireless as it was called then).
The BBC was set up to “inform, educate and entertain” – which is still its mission statement to this day.
The BBC was created in 1922 in response to new technology – the radio (or wireless as it was called then).
The BBC was set up to “inform, educate and entertain” – which is still its mission statement to this day.
- download or watch any BBC
programmes on iPlayer – live, catch up or on demand.
Some politicians want to scrap the
license fee and change the BBC’s funding model.
Channel 4
Channel 4 is an important part of UK public service broadcasting. Read full details of Channel 4's remit
here - there is
plenty of important information regarding the channel's commitment to public
service broadcasting and its unique funding model.
"Channel 4 is a publicly-owned and commercially-funded UK public
service broadcaster, with a statutory remit to deliver high-quality,
innovative, alternative content that challenges the status quo.
Channel 4 reinvests all profits back into programmes, at zero cost to
the taxpayer. A ‘Robin Hood’ model of cross-funding means programmes that make
money pay for others that are part of the PSB remit but that are loss-making
e.g. News and Current Affairs."
Opposition to public service broadcasting
Many people in Britain see public service broadcasting as a good thing – but not rival commercial broadcasters.
James Murdoch, son of Rupert, has criticised BBC news. He says that free news on the BBC made it “incredibly difficult” for private news organisations to ask people to pay for their news.
Some politicians have argued that the BBC should not produce programmes such as Strictly Come Dancing so commercial broadcasters such as ITV or Sky can attract larger audiences in primetime.
Ofcom report
Read the first few pages of this Ofcom report into Public Service Broadcasting in 2017.
1) How does the report suggest that TV viewing is changing? The television landscape is changing; people are increasingly viewing content in a variety of different ways, both on the television set and on other devices. Young adults are watching a substantial amount of non-PSB content, and behavioural changes are happening not just in this group, but among those up to the age of 45. Despite the changes in the ways in which people watch television, overall viewing on the TV set is resilient; each week 85% of people in the UK who have a TV in their household watch PSB channels. Public service broadcasters remain at the heart of the UK’s television viewing experience.
Read the first few pages of this Ofcom report into Public Service Broadcasting in 2017.
1) How does the report suggest that TV viewing is changing? The television landscape is changing; people are increasingly viewing content in a variety of different ways, both on the television set and on other devices. Young adults are watching a substantial amount of non-PSB content, and behavioural changes are happening not just in this group, but among those up to the age of 45. Despite the changes in the ways in which people watch television, overall viewing on the TV set is resilient; each week 85% of people in the UK who have a TV in their household watch PSB channels. Public service broadcasters remain at the heart of the UK’s television viewing experience.
2) What differences are highlighted between younger and older viewers? Individuals in the UK watched 3 hours 32 minutes of measured broadcast TV on a TV set in
2016. This is 4 minutes a day (2%) less than in 2015. However, there are big differences
between age groups, and these gaps are widening. Viewers aged 65+ watched an average
of 5 hours 44 minutes in 2016, just three minutes less than in 2012; in contrast, 16-24 year
olds watched an average of 1 hour 54 minutes in 2016, 43 minutes less than in 2012.
Between 2015 and 2016, average daily viewing among children and 16-24 year olds each
fell by 10 minutes, whereas viewing by over-64s increased by 2 minutes.
3) Does the report suggest audiences are satisfied with public service
broadcasting TV channels?
The majority of people in the UK with a TV in their household watch the PSB channels on a
weekly basis. In 2016, 83% of the TV population aged 4+ watched any of the main five PSB
channels in a typical week. This increases to 85% when the BBC portfolio channels are
included.
4) Public service broadcasting channels are a major aspect of the UK cultural
industries. How much money did PSB channels spend on UK-originated content in
2016?
Although viewing to the main PSB channels has declined over the last ten years, half of all
TV viewing time continues to be to these channels. There has been substantial growth over
time in viewing to the PSBs’ ‘portfolio’ channels, going some way to offset the decrease in
viewing to the main PSB channels. Overall, when all the TV channels of the PSB
broadcasters are taken into account, they represent 70% of total broadcast TV set viewing,
down from 76% in 2006.
Goldsmiths report
Read this report from Goldsmiths University - A future for public service television: content and platforms in a digital world.
1) What does the report state has changed in the UK television market in the last 20 years?
Read this report from Goldsmiths University - A future for public service television: content and platforms in a digital world.
1) What does the report state has changed in the UK television market in the last 20 years?
Television sector has
undergone huge changes
over the past generation. The
proliferation of channels has
reduced the market share of the
public service broadcasters – the
BBC, ITV, Channel 4 and Channel
5 – although they have largely
retained their prominence and
developed portfolio services. Sky
has emerged as a major force,
contributing to the success of pay
television. New technology has
facilitated on-demand access to
television content, and created
new services and platforms, while
consumer behaviour has started to
change rapidly, particularly among
the young. The very definition
of television needs to be refined
accordingly.
2) Look at page 4. What are the principles that the report suggests need to be
embedded in regulation of public service broadcasting in future?
The UK’s public service television
system is a vital political, economic
and cultural resource and should
be viewed as an ecology that
needs careful protection and
coordination. Public service media
should not be regulated simply
in relation to the impact of their
content and services on the
wider media market. Principles
of independence, universality,
citizenship, equality and diversity
need to be embedded into the
regulation and funding of an
emerging digital media landscape.
3) What does the report say about the BBC?
The BBC is the most important part
of the television ecology, but the
model of universality underpinning
its public service credentials is
under threat. The BBC has been
contracting in real terms and it
is hard to sustain the case that
it is damaging competitors. The
licence fee is vulnerable in the
face of changes in technology
and consumption, and it is in any
case far from an ideal system:
it has failed to guarantee real
independence and is charged at a
flat rate. The BBC’s independence
has also been compromised by
the insecurity of its establishment
by a royal charter and the process
behind the appointments to its
governing body
4) According to the report, how should the BBC be funded in future?
The BBC should continue to
provide mixed programming and
cater to all audiences as well as
competing with other broadcasters
to produce high quality
programmes. The BBC needs to
demonstrate further commitments
to creative ambition and to address
shortfalls in specific areas, for
examples its services to BAME
audiences, its relationships with
audiences in the devolved nations,
its institutional commitment to
impartiality and its willingness to
embrace new types of collaborative
partnerships.
5) What does the report say about Channel 4?
Channel 4 occupies a critical
place in the public service ecology
– supporting the independent
production sector and airing
content aimed specifically at
diverse audiences. Its remit has
remained flexible and it has moved
with the times. But it has cut
programme spending; it has largely
abandoned arts programming and
has been criticised for not doing
enough for older children.
6) How should Channel 4 operate in future?
Recently,
Channel 4 has been threatened
with privatisation, in whole or
in part, a proposal that would
threaten its public service remit. Channel 4 should not be
privatised – neither in full or in
part – and we believe that the
government should clarify its view
on Channel 4’s future as soon as
possible. Channel 4 should significantly
increase its provision for older
children and young adults
and restore some of the arts
programming that has been in
decline in recent years)
Look at page 10 - new kids on the block. What does the report say about new
digital content providers and their link to public service broadcasting?
Final questions - your opinion on public service broadcasting
1) Should the BBC retain its position as the UK’s public service broadcaster? I don't think so as we need the BBC to give us the stuff that netflix doesn't give us such as news.
2) Is there a role for the BBC in the 21st century digital world? YES
3) Should the BBC funding model (license fee) change? How? Perhaps become more cheaper
Final questions - your opinion on public service broadcasting
1) Should the BBC retain its position as the UK’s public service broadcaster? I don't think so as we need the BBC to give us the stuff that netflix doesn't give us such as news.
2) Is there a role for the BBC in the 21st century digital world? YES
3) Should the BBC funding model (license fee) change? How? Perhaps become more cheaper
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